Signed Print# 3/30
18’24
Original print is unsold with custom framed with hand painted “Freedom Money” slogan and other novel markings.
*Option to purchase using Bitcion
This piece stages a distinctly American mythology—part patriotism, part critique—through a stylized, almost pop-propaganda delivery.
At its center, a saluting blonde figure evokes mid-century Americana: Rosie the Riveter, wartime pin-ups, and the polished optimism of postwar identity. Yet here, that iconography is recontextualized. She doesn’t salute a flag or a state—she salutes an idea: “FREEDOM MONEY.”
Below and around her, the imagery shifts from nation-state to network. Hearts labeled “Bitcoin” float like countercultural emblems—part love, part rebellion. Winged airmen clutch them like offerings or escape devices, suggesting liberation from enforced insanity—economic, political, and institutional.
The owl perched on her arm introduces another layer: wisdom, watchfulness, perhaps even a warning. It contrasts with the spectacle above, suggesting a quieter, more enduring form of knowledge beneath the noise of power.
It asks whether the American promise of freedom has been co-opted by centralized control—and whether new tools, like Bitcoin, represent a return to its original spirit or a departure from it entirely.
Signed Print# 3/30
18’24
Original print is unsold with custom framed with hand painted “Freedom Money” slogan and other novel markings.
*Option to purchase using Bitcion
This piece stages a distinctly American mythology—part patriotism, part critique—through a stylized, almost pop-propaganda delivery.
At its center, a saluting blonde figure evokes mid-century Americana: Rosie the Riveter, wartime pin-ups, and the polished optimism of postwar identity. Yet here, that iconography is recontextualized. She doesn’t salute a flag or a state—she salutes an idea: “FREEDOM MONEY.”
Below and around her, the imagery shifts from nation-state to network. Hearts labeled “Bitcoin” float like countercultural emblems—part love, part rebellion. Winged airmen clutch them like offerings or escape devices, suggesting liberation from enforced insanity—economic, political, and institutional.
The owl perched on her arm introduces another layer: wisdom, watchfulness, perhaps even a warning. It contrasts with the spectacle above, suggesting a quieter, more enduring form of knowledge beneath the noise of power.
It asks whether the American promise of freedom has been co-opted by centralized control—and whether new tools, like Bitcoin, represent a return to its original spirit or a departure from it entirely.
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